Secret Lives of Jesus

Tom Jennings - Writer and Producer There was a moment during the filming of Secret Jesus when even the most jaded members of the cast and crew thought we had gone too far. We were on an old movie set in a dusty Moroccan town called Ouarzazate – a bedraggled village made famous years ago for being the place where Lawrence of Arabia was filmed.
The scene was typical enough – Jesus carrying the cross through the streets of Jerusalem, taunted by the crowds, beaten by Roman soldiers, on his way to crucifixion. It’s an image most people can easily see in their minds – the horrific final hours of Christ. But just then, our scene stopped – a moment frozen in time. The only person moving was Jesus. He set the cross down on the cobblestone street. An actor playing Simon the Cyrene approached. In traditional Bible stories, Simon was forced by Roman soldiers to help Jesus carry the cross. That was not the case in Secret Jesus. With the other actors still frozen, Jesus removed his crown of thorns and placed it on Simon’s head. The stunned, somewhat confused Simon then bent down, shouldered the cross and began the long journey out of town toward his own execution – the crowd again in motion, tormenting him.
Jesus stepped back into the crowd and laughed as he watched Simon being led away in his place – a bizarre, tortuous moment of mistaken identity. Jesus turned and walked in the opposite direction – ready to move on with an apparently happy and long life. Those of us putting together the show couldn’t help but wonder – what the heck were we doing? Our Moroccan extras – people who had played out the traditional crucifixion scene in dozens of film and television shows – were bewildered. Their eyes said it all – “These people are crazy. That’s not how the story goes.”
And that is the challenge of telling the story of Secret Jesus – it’s not how the story goes. We were given an unenviable task – tell Jesus stories found in “alternative gospels” written in the 2nd and 3rd centuries – stories created by Gnostic sects who wanted to share with the world their own version of the Christ story. These stories are strange narratives that talk about a completely different Jesus than we encounter in the Bible. Even the Roman Catholics among us had never before heard these stories. But they do exist – and they’re authentic to the time period. What’s in question is the material contained in these documents – stories that were considered heretical by the early church. It was not our job to judge these tales. Instead, we sought out the experts, created the images, showed the confusion in the years after Christ’s death and let the tape unwind.
While the tales will never replace the traditional New Testament stories that Christians know and love, they can add insight into how we arrived at the Jesus we know today. As for the bewildered cast members, our assistant director explained to them in Arabic that National Geographic was not rewriting history. Instead, he used a phrase they could all understand – “it’s just a movie.” They nodded, smiled and we got back to work.
Categories: Religion, Religious Theory
0 Comments
0 TrackBacks

No TrackBacks

TrackBack URL: http://ngccommunity.nationalgeographic.com/admin/mt-tb.cgi/1476

Add This:
StumbleUpon
Digg
Delicious
Face Book
Technorati
Digg

Add a Comment

Recent Blog Comments

NAT GEO NEWSLETTER

Always Know What's On!