Locked Up Abroad: Puerto Vallarta - Recreating Chaos

***In filming the newest season of Locked Up Abroad, the RAW TV production team recorded their experiences in a production diary. Below is an excerpt from what it was like filming Locked Up Abroad: Puerto Vallarta.***

Rebecca Cody
RAW TV

Thursday January 22, 2009 More scenes on the beach and in the local village. Everything went well and the choice we made to film here, in a remote but beautiful spot seems to be a good one. Jake describes Puerto Vallarta in the late 1970s as "paradise", but now its one of the biggest resorts in Mexico, attracting two million visitors a year, and filming scenes like this there would have been very difficult.
At the end of the day, just as the light is fading, we film scenes of Jake running through the central square. We manage to recruit near enough the whole village as extras to gawp at him as he sprints through the crowd, and get fantastic shots of kids running away and women staring as he passes by. A great way to end the day.

Friday January 23, 2009
Things were clearly going too well - today disaster struck. Mid-morning the camera develops a fault and we have to halt the shoot - we send everyone for an early lunch while the cameraman calls London and gets instructions for stripping down the camera and cleaning it. After about an hour it becomes apparent that the problem is not going to be sorted out so easily and so we race back to the hotel to pick up the back-up camera - a much smaller, simpler model. The crew continue shooting, while the fixer and I try to source another camera. We call all the contacts we have, but the only comparable camera we can finds is in Mexico City and can't get to us until tomorrow evening. I call London and break the bad news, it's Friday night there and everyone is in the pub! We agree that we will have to rest the crew for a day, wait for the new camera to arrive, and then continue the shoot. It's an expensive decision, but the only real option.

Saturday January 24, 2009
Whilst most of the team rest, the fixer and I spend an anxious day waiting for the camera - it eventually arrives at 11pm after several delayed and cancelled flights. Meanwhile, we rearrange all the locations and cast for the next five days shoot, moving everything back one day. This is where we pay for our remote location, as there is no cell-phone coverage, the hotel only has one phone line and the internet access is intermittent. We discover that if you drive about two miles along the beach in a beach buggy there is suddenly full strength cell phone signal - a beautiful but rather inconvenient office.

Sunday January 25
The shoot is back on, and we spend the morning shooting the central scene of the film - the confrontation on the beach with the cops. The scene is shot "day for night", a technique which allows it to be colour graded later to look like night-time. Our cops are shot again and again, and I seem to spend most of the morning brushing sand off them. Somehow, we manage to find time to re-shoot two scenes shot on Friday on the smaller camera - the director and cameraman were not happy using it, and since the scenes are already blocked out and rehearsed, they prove very quick to re-stage.

Monday January 26, 2009
Today we left the beach, a bumpy two and half hour drive down a dirt track bought us back to the 21st century with a bit of a jolt. The location we were filming in was supposed to be a remote house down a dirt track, and when we last visited on a Sunday it was very quiet, but today, it turned out to be the busiest road in all Mexico. What should have been a fairly simple day was completely thrown by the noise, shots were interrupted constantly by passing traffic. At lunchtime, we decided it would be impossible to film Jake being captured by the police on this road. I set off to find another location, luckily, five minutes round the corner there was a quiet turn off and so we relocated there. By the time we finished, everyone was exhausted, and the hotel turned out to have a million stairs to every room - mine is at the very top, which feels more like a penance than a penthouse right now.

Tuesday January 27, 2009
The first of two days filming in the prison - actually Puerto Vallarta fire station. This actually used to be the local prison, and still has a couple of cells and a yard which have been cleared of fire-fighters equipment for us. We had eight local extras who were great prisoners - glaring, jeering and fighting right on cue.

Wednesday January 28,2009
This morning we filmed the interrogation scenes in the prison, the actor who was playing El Jefe was great, our lead actor says he was genuinely sacred at points. In the afternoon, we headed to a local disused hospital which the art department had brought back to life. We have been making up our lead actor to look progressively more dishevelled each day - he is supposed to be covered in dirt and blood after being beaten up and sleeping on the prison floor. At the hospital, at last he can be clean.

Thursday January 29, 2009 Today is the last day of the shoot and we are filming the opening and closing scenes of the film. We spend the morning at "Jake's house" - the hardest location to find in Mexico, a "Texan" house. In the afternoon we drive out to a quiet bit of highway and shoot the end of the film. As the 1970s car drives off into the sunset, we all know it's a wrap.
Tags: Locked Up Abroad
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