Learning to Fly as Charles Lindbergh
I got to play the role of aviator, Charles Lindbergh for National Geographic's documentary. The documentary covers his entire life; I portrayed him from age 25 to approximately 30. This time frame covers the historic flight and the notorious kidnapping of his first born child. In preparing for the role I read that later in life Lindbergh had an affair with two German sisters - playing the younger Lindbergh I sat in an airplane for hours upon hours and had my baby stolen. No love scenes for me. The project did offer some fun experiences:
In the television world the scenes we filmed are called recreations or again to be hip, recre's. In this production the dialogue was unscripted and in the finished product voice-overs will primarily be used to convey the story. This meant I didn't have to spend a tremendous amount or any effort rehearsing. There are limited resources that give insight into Lindbergh's physical movements and characteristics but I assure you what you will see in the program is exactly how Lindbergh would have done it.
We moved our filming from Florida to Washington, DC where we shot the kidnapping related scenes. Unfortunately, Mother Nature left her warm embrace in Florida and we were greeted in Washington with an outside shoot, a temperature of 15 degrees and a further disabling wind-chill of around 0. During the shoot I was often reminded to put my shoulders down and not look so cold. I day dreamed that one day there will be an Oscar for the Best Lead Performance in a horrible-weather-environment. It would probably be one of the categories that is awarded several days before the actual gala but I would still be happy, since I would win.
In mentioning acting accolades I am reminded of the most rewarding aspect of my performance, ironically it came off-camera. Stefan, the lead cameraman was German. He worked with great precision, focusing on every aspect of the shot. I didn't see him laugh or smile that often.
I was standing in position for quite a while as Stefan and the production team worked on creating the right lighting for the shots. As background; a stand-in often times is a different person than the actor playing the role but for this production the actors helped out with this part. At one point Stefan walked by and said thank you for all you work, we'll be ready in a few minutes. I thought it was nice that he thanked me. I remarked to him that I was acting like a stand-in acting like me acting as Lindbergh which was three levels of acting and I hope he appreciated the performance. Then in what seemed to be slow motion, he smiled and laughed, but then just as quickly, time went back to normal and we were back into perfecting the lighting. I secretly set the goal of getting him to laugh and in a much smaller scale, like Lindbergh, I pulled it off!
No TrackBacks
TrackBack URL: http://ngccommunity.nationalgeographic.com/admin/mt-tb.cgi/6466
Recent Blog Comments
- I'm not so sure I believe... on 9/11 Science and Conspiracy Director's Diary
- Top international scientists have proven beyond... on 9/11 Science and Conspiracy Director's Diary
- I happen to watch this documentary... on On pursuit to film an extraordinary story in India - Part 2
- I just read Daddy's story. He... on HAPPY 40th BIRTHDAY, Cesar!
- Happy Birthday Cesar. I love your... on HAPPY 40th BIRTHDAY, Cesar!
Monthly Archives
- August 2009 (12)
- July 2009 (16)
- June 2009 (20)
- May 2009 (5)
- April 2009 (10)
- March 2009 (10)
- February 2009 (12)
- January 2009 (14)
- December 2008 (6)
- November 2008 (9)
- October 2008 (7)
- September 2008 (10)
- August 2008 (10)
- July 2008 (19)
- June 2008 (14)
- May 2008 (11)
- April 2008 (16)
- March 2008 (13)
- February 2008 (14)
- January 2008 (16)
- December 2007 (11)
- November 2007 (15)
- October 2007 (12)
- September 2007 (12)
- August 2007 (11)
- July 2007 (3)
- June 2007 (10)
- May 2007 (7)
- April 2007 (4)
- March 2007 (9)
- February 2007 (5)

Add a Comment